[My @wustl account seems to not be working. If anyone e-mailed me in the past week, especially about housing, please resend by IM.]

The 300 is gratifyingly enjoyable despite it being an epic and overhyped, although divergence from historical details, even if artistic, still must incur some minimal level of wincing. The most incongruous moment, however, is when suddenly the Spartan numbers drop from 297 to 2; although the sudden abandonment of unity for individuality feels just as dissonant. There is certainly an allegorical theme, although that is much an issue of current modern geopolitics as much as one of historical accuracy.
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Today’s word: Teatro