7/19/07
7/18/07
7/17/07
7/11/07
7/10/07
Harry Potter 5 is easily the best in the series to date. While it is not without the usual divergences from the novels, the first half flows remarkably smoothly; the only disappointing ones occur at the end. Most of the movie felt like a movie, not merely the film version of a book. Still, some scenes make one wonder if the film producers truly understand the magic of the story.
Book 6, which I found disappointing compared to the other novels, might ironically be the best of the films; it seems it would capture the movies’ strengths while having the least expectation to overcome.
Book 6, which I found disappointing compared to the other novels, might ironically be the best of the films; it seems it would capture the movies’ strengths while having the least expectation to overcome.
7/8/07
7/7/07
7/6/07
Ratatouille is solid enough to seem like it should not need the ending monologue directed at critics. The main character has no romantic interest, and he also lacks the usual anthropomorphized sidekick; he instead is accompanied by an imaginary figment of his own mind, living in his own solitary world. Oddly, though without my disputing, the heir to French cooking is Italian.
7/5/07
7/4/07
7/3/07
7/1/07
6/30/07
Ocean’s 13, having seen the 11th but not the 12th, is enjoyable like the first, for again it offers a simply pure plot. The pacing of the plot does feel a little uneven, like it suffers from too much momentum: things fail and succeed as if set by a strict linear relationship. Oddly, though, it is the absence of characterization which makes it feel empty. The first film handled this component neutrally, as if the plot were let to unfold without regard to character. But here, characterization seems almost deliberately checked for an established plot. In a way, this reflected in the title: 11 were 11 people, but 13 is 2 sequels past an established number.
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